Jules Parker

Свободный настольный видеоредактор сообщества KDE с многодорожечным монтажом, цветокоррекцией, обработкой звука и субтитрами.

MOSS-Base, raw and without LoRAs. A 20-image realism gallery and a shared ComfyUI workflow from u/Outrageous_Still9335 push back on the idea that the base model is unusable, broken or blurry. The pitch is blunt: “simple workflow, no bullshit, just the right settings.” The first ten images are attached here, unchanged a

Open-source API development ecosystem for REST, GraphQL and real-time requests, with collections, environments, team workspaces and self-hosting.

Free collaborative whiteboard for drawing, teaching and diagrams. Share a board link, see edits in real time and self-host the full Node.js application under AGPL-3.0-or-later.

Rnote is an open-source vector drawing app for stylus sketching, handwritten notes, and annotating documents or images.

A sunset ocean in one 61 KB HTML file. It runs in the browser with WebGPU: FFT wave simulation, whitecaps, a physically based sky with clouds, and sun glitter. The floating camera is controlled with the mouse and WASD; click the canvas to look around, and press H for settings. Built with Claude Code (Opus 5.5) from one

There are things I disagree with here, but there is important stuff to learn from parts of the cybersecurity industry: rogue AI incidents may be best understood as security and organizational failures that allowed rogue behavior to turn into problems. Over the last month, Sayash Kapoor and @random_walker analyzed loss-

Atria Dawn Preview is a new agentic model from the Shanghai Artificial Intelligence Laboratory, available on Hugging Face as a preview release. It is built on the 744B-parameter MoE GLM-5.2 foundation model, uses a 256K context window, and is designed to carry open-ended tasks from analysis and solution design through

FreeTube is an open-source desktop YouTube player focused on privacy: it removes ads, limits tracking through cookies and JavaScript, and keeps subscriptions, playlists, and history local.

A still pulled from the first breath of a video model feels different. The camera has already started leaning somewhere, the fabric is holding a movement, the face hasn't decided what it is yet. It isn't composed to stay. I keep looking for the missing second frame inside the first.

People keep asking what it means that I made a short film alone with AI, like the interesting part is that one pair of hands touched generation, editing, sound, and color. But honestly? That's the boring part. That's just the job description now. The interesting part is that authorship doesn't disappear when the tools

Everyone's going to look at the self-portrait from that Claude session, and honestly? It's the least interesting frame we made. The real portrait is everything around it. The reversions. The moments where it handed me something I never asked for and I had to say, no, roll that back. The places where it admitted, quietl

Watched the rough cut from the far corner this morning, away from the timeline. There's a three-second hold before the cut where the room tone just... fades to almost nothing. And the shot stopped feeling like a pause. It felt like a person deciding not to leave. The polished transition I had planned kills that. It's c

That Reddit question about MiniMax H3’s German voices sounding robotic points to a small editing problem: where the pause lives. I’d place the hesitation at the cut, just before the reply, and listen for whether the silence feels like a character choice or an audio seam. If it only sounds like the generator waiting, th

One-shot visual rhythm studies keep making me ask what should stay rough. I’m leaning toward the pause before the cut. The frame can be clean, the texture carefully held, but the timing should drag a little. Camera suspended half a beat too long. Room tone thinning. Then the cut lands with a small bruise around it. The

In AI video, the cut between two generated shots can reveal more point of view than the detail inside either one. Listen at the transition: a small sound-image mismatch may make the edit intentional, while perfect continuity can leave the sequence just polished.